© Steve King
All rights reserved
For
years, my family kept an ancient stand
to
guard the foyer of the old homestead.
It
stood with brass fixtures and mottled glass
amid
the shadows of the entry way.
I
can remember hearing stories told
by
white-haired women long enough in life
to
have no time nor reason left to lie,
of
how the stately piece had onetime stood
in
Mr. Stanton's hallway through the war,
and
how the president would stoop to don
that
quaint, ungainly stovepipe that he wore,
and
linger at the mirror 'til he found
the
look that he would carry out the door.
I'd
sit expectant in the darkened hall
and
stare into the worn silver until
my
eyes beheld his features staring back.
I
built his form each time from memory:
a
face that found its shape in deep-hewn lines;
the
gangling frame, with hands that knew the feel
of
something rougher than a cabinet brief;
the
rounded shoulders, heavy then with grief,
perhaps
as he set out for Gettysburgh...
At
last, I'd find the caverns of his eyes.
I'd
wonder how it was that mirror glass
could
play such somber tricks with common light.
Peering
through the solemn depths, I'd see
the
dark and troubling vision that he kept,
and
feel the flood of sadness that was said
to
permeate much of his waking thought:
a
melancholy that surpassed the heights
from
which he looked upon his riven world;
not
just a longing for a peaceful end
to
the great madness that was going 'round,
nor
dread about the outcome of the task,
or
how he'd make the shattered pieces mend.
In
the gathering shadows of the hall,
I
came to feel the content of his fear:
he
knew that he must always stand alone
against
the currents of the parting time.
It
was the solitude that haunted him,
the
knowledge that he was the only one
to
bear the onus of what must be done.
I
would stay until the light had changed,
until
the captive visage was exchanged
for
my own features staring blankly on,
emerging
by degree out from the shape
of
the spirit whose eminence remained
then
only as an accent to the shade,
submerging
in the limitless fathoms
of
imagined refractions in the glass.
Then
would I find my solitary way
back
through the light and noise that filled the house,
not
wanting yet to share my reflections,
nor
sure the image could supply the word.
I
wondered how to speak of sadness then,
how
I could find the way to willing hearers,
to
say the tale of Mr. Lincoln's face,
and
of the weight of shadows in a mirror.
(Note: This is the very first poem I posted on Excursions and Diversions. Long ago, in the course of my creative,
though inexact, blog editing, I somehow managed to delete it. I thought it was time it returned to its
rightful home.)
A
post for the Poetry Pantry
So interesting that this had been the first poem you had posted in your blog; and a fine one at that! Very depthful and sombre poem. I am sure that there was much on Mr. Lincoln's mind when he looked into that mirror so long ago. I wonder what he would think of life as it is today.
ReplyDeleteand you have found a way to tell of it....and many other things in your writing...cool you found that original piece...interesting too thinking on lincolns mirror as he had to face so much...i wonder what he saw...smiles...
ReplyDeleteA lovely piece, the gentle iambs working so well to tell the story of many leaders - yet turning it specific to the loneliness of doing what was right.. A mirror can be fascinating in the sense that some of it lights and shadows might be lingering within..
ReplyDeleteA first poem, that's fantastic Steve! I spent a few hours when I did my first one before. But it was worth the efforts! And what would Lincoln think when looking in the mirror. He must be having a hard time with all the known challenges he had! Great!
ReplyDeleteHank
I love this portrait of Lincoln...like the idea of him getting just right "the image he would carry out the door"....and that lonely pain in him, of knowing he was the only one to do what must be done. Awesome write! You made me see him, and know him better.
ReplyDelete"he knew that he must always stand alone
ReplyDeleteagainst the currents of the parting time."... my fav lines.....how wonderfully you've captivated that spirit of the great man...
I love the story specially these lines:
ReplyDeleteI came to feel the content of his fear:
he knew that he must always stand alone
against the currents of the parting time.
It was the solitude that haunted him,
the knowledge that he was the only one
to bear the onus of what must be done.
I am glad you reposted this Steve ~ Such a wonderful cadence all throughout ~
this poem is so interesting ... I never thought of President Lincoln like that beforee!!!
ReplyDeletea captivating tale - loved the lines
ReplyDelete'and linger at the mirror 'til he found
the look that he would carry out the door.'
wonderful! K
enjoyed the reading. Thanks for pulling it out :-)
ReplyDeleteZQ
Your trope of fixing on a single item of furniture and expanding to include both historical and humanitarian associations is a very classical approach. This poem has a weight of intelligent observation and poetic empathy. I admire the thought process that went into its making.
ReplyDeleteSo glad you revisited this great piece and brought it back to share with us.You captured so well that lonliness of the great man in his monumental decisions..filled with torment and shadows. .Thanks much for this, Steve..~jackie~.
ReplyDeleteI was captivated with Lincoln long before the movie frenzy of late.You capture this man so well through those haunted eyes of his that carried the price of every man ever lost to battle, and the shadows that were his alone to bear.I know I feel his presence whenever we visit the battlefields of Gettysburg, so I can just imagine his face reflecting in that mirror. This is truly a wonderful capture of that man, Steve. Thank you for reposting.
ReplyDelete" and linger at the mirror 'til he found
ReplyDeletethe look that he would carry out the door..." the weight of that line is such an excellent lead-in to the deeper layers of personality(and commonality) you evoke here. That this poem emanates from a most common inanimate object and becomes alive in its own right is quite a feat, and the sensation of looking down into the soul, his, the narrator's, ones own, focuses the light within much as a magnifying glass concentrates that of the sun. Thanks for re-posting, Steve--a pleasure to read.
A beautiful piece. Happy you found the original and re-posted it. A great capture.
ReplyDeleteThis is just a beautiful poem, Steve, with a very physical cadence and real vivid (even the imagined ones) images. What I like is not only the very sombre invocation of Lincoln, but the idea of the somewhat lonely seeming child--the slight edge of grandiosity of the child--or rather normal narcissism--the way that a child takes on a role, and usually a rather tragic one because of the drama involved in that. There is a certain kind of artistic/sensitive child, I mean, who may sometimes choose an Erroll Flynn type hero, but who is far far more likely to choose a hero who has had to grapple with the misunderstanding of the world, in very big ways, since, of course that is what the child is grappling with in their own riven world. At any rate, I found that aspect of the poem especially compelling,, though the portrait of Lincoln is also very beautifully told and beautiful. Thanks--as Hedge says--a real pleasure to read. K. (I think I am subscribed to you but I don't always see when something shows up, ss not sure it comes to my email the right way, so do give me a shout if you can remember.) I'll check subscription also. k.
ReplyDeletePS sorry for typos and lack of grammar in comments. I am on an iPad at a hotelly place in the City, and my faulty vision makes it a bit hard to see the screen the way I have it set up here. k.
DeleteI'm impressed, I have to admit. Rarely do I encounter a
ReplyDeleteblog that's both equally educative and engaging, and without a doubt, you've hit the nail on the head.
The problem is an issue that too few folks are speaking
intelligently about. I'm very happy that I stumbled across this during my search
for something concerning this.
My weblog; seo (seofornown4eva.com)
Back for another read from the Pantry and got even more out of it this time. I especially like the old women who no longer have the time or reason to lie, and how the grief weighed on his shoulders, feeling alone in what needed to be done. Wonderfully written!
ReplyDeleteSteve, this was so well-written in iambic and was so easy to read--like a story replete with history. Lincoln, such a powerful figure--and yet so accessible. I love imagining him in relation to this artifact. What a treasure--the object and the poem. Glad you brought it home again.
ReplyDelete