A Case of Bananas

by Steve King
Copyright 1998


From out of nowhere, she turns on the light.
‘Suppose bananas aren’t really yellow?’ she says.
‘Or what if yellow is another color?
What is yellow to a banana?
Do we see the same colors at all?
What world of rainbows lives inside your head?
Why am I concerned enough to ask you?
I’m no friend to strange philosophies,
but you have told me that you are in love,
and my reality has changed forever
whether I choose to love you back, or no.
It all seems like bananas to me now.
Love and yellow, these are only names.
What are they really, and why are they so?
Just what does it mean for me to see it?
More than the banana just to be it?’

And me, I only spoke to her of love.
I thought it was so simple,                   
almost like black and white,
on or off,
here or gone.

Too late, I see that nothing is so simple.
Love…
Bananas…
Now we are like apples and oranges.

sun lay across the plaza gold

by Steve King
© 2011
All rights reserved


sun lay across the plaza gold
shadows gathered in corners
from where we watched
a thousand footfalls
raise hot dust

while we waited
not speaking
not to speed the moment on
there came music
from some other place
murmur of a song
new that summer
now old and only passing fond

and flowers at the far café
I could not quite see colors
saw it as a spray
the idea of flowers really
it might have been a picture
or a bright tin sign
or anything at all

or it might have been flowers

we heard the train from far
took time with the drinks
as if time wouldn’t matter
couldn’t matter any more
it would make you sleep you said
I knew and nodded
sipping slow
you cursed but soft
a bright wine drop
upon white linen dress

that moment I was grateful

you would carry this along at least
like a charm
you would peer into this blot
and see what was this day
you would hold with you
a note of the plaza and the song
even the dust the flowers
or the bright tin sign
and the shadow where we waited
where you spilled our wine

Song for Silence

 by Steve King

©2004

A vacant house still stands in memory,

lost in tangle, past the old orchard.

No ghosts there,

just the sound of owls at twilight,

and fireflies to light a hidden path.

An old door beckoned,

rusty hinge to greet.

Still, it was no struggle,

just a reminder

time has its distinct reality

beyond the call of clockfaces

and endless afternoons.

In the furthest corner, a forgotten picture

of some long absent face,

now to be unmourned

through all new ages.

It regards the empty room,

smiles with unflinching gaze,

keeping ancient secrets

now mingled with these memories of my own.

It was discomfiting at first to stay,

as if trespassing in this other’s dream,

as if appearing unbidden

in the midst of a stranger’s

most intimate, unfinished thought.

The most unlikely sight:

a piano, waiting,

amid air that never stirred,

for the sound of new voices,

for pealing gladness, and impertinence,

and a noisy hunger for display.

Now no laughter, nor despair;

in the truest of silence,

at last, no room at all for any song.

I surveyed the scale of abandonment,

each shadow now it’s own chapter

in a long closed book,

an unsung canto to recall in part

the muted meter

of some flown soul’s epic loss.

My memory seems just another relic,

resting on these settled ruins

of some further past:

it was not a place for looking back,

for time had simply stopped,

collapsing to a last instant,

no clue to an arc of devolution;

only remains that tried in vain to speak,

like disturbed earth

that marks the shallow grave.

Fragments from the Vietnam Era

by Steve King

 © 1982

 All rights reserved

1

Thursday was the day
the numbers would disrupt
the cartoon screens
with dead, wounded, MIA,
and body counts (theirs)
to balance the equation.

As if sacrifice
was a matter of numbers
and not a matter of the heart.

As if the measured sacrifice
was not, too, a measure
of some diminished heart.


2

Some conflicts still exist
in the sheen of the soul’s night:
the memory of random death
and fast retreat;
the muffled howl
of strategic assassination,
silent feet gliding
through dead paddies;
garrotes, punji,
roaring green dragons, gunlit
descending out of the blood moon…



3

“If they would just obey the damned Accords…”

or:

“If only we had taken the Yalu…”

All things pointed backward
and away.
Away.


4

Out of the eastern war they streamed,
out of polyglot hell,
away from the sting of death,
reprisal and reprimand, they thought,
away from the mute approbation
of the new
unburied
unbagged
dead…

The dead,
unencumbered
by command and choice.

The dead:
seed of ‘scholarly misapprehension
within a dispassionate framework.’

The dead,
defining the moral question,
each moral question,
each side brandishing the dead
like tattered banners
hammering the dead
like broken drums,
each in their own manner
to remake the dead,
each in their own fashion
to explain…

The dead,
cause enough
justifying one thing
…or any other.

The dead,
framing expeditious analysis
in dead resolution;
giving new meaning
to the phrase ‘dead reckoning.’

The dead,
as ever before,
no need now
for the love of words,
yet the one last measure
of all words.


5

Boxed between four walls
ceiling and floor,
inside a pretty house
within the perfect yard
abutting on a quiet lane,
they shuttered tight the windows
that squandered precious light
upon the darkness;
and on the very worst of days,
they hearkened to distant thunder
sensing, first and foremost,
only the distance,
knew thereby
the parameters
of a perfect safety.