Survivors

Survivors

Tuesday, September 4, 2012

Rites of Autumn


© Steve King 2011
All rights reserved

Leaves are fallen in the garden,
gone from lean black branches.
Bright hours are gone, too;
lost amid the equinoctial shade.

You could not count the leaves,
but would recapture hours,
recall them all;
silent as you watch the leaves
run before an autumn wind.

You let the moments slip,
used them to savor yearnings,
distant hopes,
idle revery.

Yet still the pull of yearnings,
yet still, desires unmet;
no moments in your bag
to hold them now.

Now memory is lean,
would feast upon new days
were they at hand;
would gorge upon
the promise of new dreams,
yes, even on the promise,
were there moments for a dream,
were there moments for a promising.

Without leaves on high
there is silence in the wood,
save for the one song:
when winds sweep low,
falling from the mountain,
gathering its chill.

Alone in the garden,
heir to the song,
to vistas of lean black branches—
this song will not scribe a memory,
nor hold a moment rapt for you,
more than may the lean black branches
recall scattered leaves.


Tuesday, August 28, 2012

Borrowings


©  Steve King 2012
All rights reserved



How do you write this stuff?

Just words—

Not so!
 
Yes!                
Not so very different,
            than you yourself would use
            alone...or to yourself.

I don't do that so much...

            Oh yes.  Perhaps you just don't listen closely...

Suppose I did?   
How would it sound aloud
or to  some other?
You make words seem…different—
there's something lurking between syllables,
a kind of common code,
the way the words display.
Anyone can understand the heady spirit there.
I'm barely articulate—
words can't make their way across my lips
without a mangling.
Sometimes I wonder
if I know myself well enough to try...
So, how do you write these things?

            Ha!  I toss words in the air—
            each one falling back of its own mass
            into a proper place.
            Then I play a game with them,
            find a pleasing pattern;
            they have to suit the eye as well, you know;
            massage more than the one sense,
            assault them 'til they crumble
            powerless before the inevitable.
            But first, of course, there must be an idea...

That's no answer.
The question stays,
attaches to each glib evasion here.
I still can't understand the way it fits...
none of it explains
the way the words lie perfect on a page,
envelope me with pleasure...
and then sometimes the feeling that I get,
as if you've read my mind,
or fathomed something larger—
tapped into the full being of me,
my forgotten parts,
moments echoing from dark corners
I had never seen fit to explore,
and still don't know to comprehend…

If you're unknowing, how may I explain?
You've heard...something,
felt something;
taken something from a phrase:
the essence of some accidental truth
that I have stumbled on
in my candid peregrinations;
a truth that you've kept hidden,
precious for some reason of your own;
a dark facet, yes,
unused perhaps, abandoned or ignored,
but nonetheless a truth
because you know it.
But if you're asking me
how I might know it's true for you,
well, there is yet another mystery...

But you make me ashamed,
my feelings assailed,
left naked in full light.
How do you find these tokens?
How can you lash these nerve ends undeterred
by any sense of modesty?
Is there no shadow immune from this?
No sadness?
No secret?

You give me too much credit.
             I wish I could claim it,
             but the burden is all yours,
             and yours the prize.
             I can ill afford the drain of so much feeling.
             I'm only trying to get something right,
             less imperfect and more beautiful.
             It's work at its worst.
             If I had to pause at every couplet
             to take stock of deepest feelings...
             I don't know how the work would ever end.
             So complex, those things, and incomplete:
             a feeling never finishes, you see,
             it leads right to the next,
             hands off its emotion
             to be used again
 to fuel some other dormant mood.
             I must never lose myself in that,
             must note only the mood
             and not what underlies it all,
             not while there is paper left to fill,
             and some unknown waiting to read it.
             I'm a performer, see; a pro;
             deadlines and all that,
             even if self-imposed.
             No time to plumb the paradoxes
             of mundane despair
             and enervating ecstasies.
             No, let them settle elsewhere
             if they must.

I'm not sure I like you
quite so well as a moment before.
Just a trickster?
Is it all marketing and manipulation?
How do you choose your victims?
Why am I bothering to ask you?

Please, not quite like that...
            Does it seem so bad?
            I guess I was better off
            before I tried to shed the mystery.
            I would never play loose with your feelings.
            I just...borrow them for the moment,
draw them down from the common pool,
            mold them--just a bit--to fit my hand.
            After all, you can't begrudge a tradesman
            burnishing a product with his brand.
            When I've come to the end of figuring
—as best I can—
            I give those feelings back to you
            with just a little dressing up.
            Any value added is my gift,
my thanks for the motive,
            for the quick use of your soul,
            which, itself, has helped me see
            to where I've never been before.

            At least, that's the plan.
            Nothing insidious there, I hope.
            I need levers outside myself
            to orchestrate this world
            in a way that will make sense.
            So you have helped with that.

            In return you have a glimpse
            of what it is I've seen.
            Not the truest world perhaps,
            but one that must suffice until the next idea...
            Yes, you see...the idea…
            If you’ve been tricked to the misuse of your feelings,
            I have at least shown something back:
            that idea that must lie at the core,
            framed in a sharper focus
            than you discerned before.
            My vision is the prism.
            Your soul provides the ready light.

The way you talk,
it’s one allusion then the next,
points hidden in obscuring metaphors;
a graveyard for common words and meanings.

            Well…you’ve surprised me.
            You’ve forced me to improvise,
            no time or method to make clear
            how I may truly mean a certain thing.
            I’ve told you, poetry is work,
            the worst I could devise.
            I try to gather minute meanings
            magnify them to infinite form,
            give you all a chance to share my mirror—

There you go again!

            Amen.
            I’m guilty.
            How may I amend?

I have still the question:
How do you write these things?

            You must find your answer in my silence.
            I can’t exchange this alchemy for science
            the way your wish intends.
            You must grant me magic, at the last,
            where, I fear, both question and answer
            do surely come to a dead end.

            For I still marvel when you see
either charms or mystery
            in any thing that I compose.

            It’s there the magic lives for me…
            For now, let conversation close.

Tuesday, August 14, 2012

Afterthoughts


©  2012 Steve King
All rights reserved

When you labored your last breath,
I had long been elsewhere.
Bad news, they say, travels fast,
though it seems, not far:
I, who once knew much of you,
was then unknowing.

What are lifetimes, looking back?
Yours read well enough to me
even without note of us,
or other quondam artifacts.

No indeed--our trove lay deep,
hidden in the secret bottom
of some misplaced trunk,

while others that I never knew
gathered then to carry you.

Better to have never heard:
another yearwho knows?
might well do all for me;
or better yet a courier
less inclined to squander news.

Nothing now points much to old scenes
though I still choose my moments
to puzzle over absence,
and the haze of ancient afternoons,

or sometimes on fabled afterlives
and happy tales of immortality,
which have always seemed to be
no more than an apology
for absences writ large,
unbreachable.

Yet will I hold these things aside.
and let the skeptic's surety be tried
upon the very thought

that there may be
a shadow of forever clinging near,
so long as this remembrance visits me.


Tuesday, August 7, 2012

To The Fair


©  Steve King
All rights reserved


We walked the road through twilight,
nightingales teasing from small shadows;
the emptiness ready for all bold spirits.
There were faint stars enough
to draw thoughts of a deeper night,
and of summer pleasures to be gathered at the fair.

As we rounded the last curve we passed the tree—
the grave and heavy circumference;
slowed our march,
so quiet.

The tree was a killer.
We saw, the week before,
the carcass of the ‘65 Corvette
as it was towed to town:
covered with a shroud of canvas,
hidden in the furthest corner of the salvage yard.

But we would see beneath it, and we did;
marveling with high amazement
at dark stains spilled across bucket seats
as if by some new miracle
of upholsterer’s art.
Marvel we did, but once,
joked just once,
timid laughs falling to a kind of sigh.

In our retelling to the less bold,
we spoke brazenly of gore,
as if we had become attuned
to that kind of death,
or to any kind;
spoke the way we thought
the others would best hear,
the way we thought a soldier
might have spoken of his battle ground;
or the way a cop might talk of routine carnage;
spoke of bits and pieces that were scattered in the car,
pieces not all metal or at all mechanical;
intoned at length on what the scattered pieces might have been.

The tree at dusk on a country road.

The tree had only done what a tree must do:
stood its ground,
age and dignity unshaken
by the race of passion or hubris
or even careless indifference.
And the car had only done what a car must do—
yielding to great stressors that were never meant to be.
The unknown couple, too, complied with due necessity:
shattering—not neatly, it was said,
unjoined, but not at logical places.

We counted out our steps,
knowing the roads intimately,
knowing steps and distances
from one place to the next.
Headlights marked us.
We might lose our number,
but there would always be,
away in the near distance,
hovering above the forest line,
the glow of the fair,
faint music growing stronger step by step;
and finally the great wheel,
alive with rainbow lights,
coursing a path skyward,
to yield it’s shining vessels to the night.

Talk soon overtook the nightingales,
and rapt imaginings
made bright the evening sky.
We moved in a strange kind of present
that held a dawning future in abeyance:
knowing we were doing all that we were meant to do
that summer, that night,
along that chosen road,
the summer sky a canopy
for all small charms so soon to be embraced…

I looked back.
Our road had left that tree behind,
just beyond the reach of the long curve,
lost in the tide of encroaching shadows.

The music louder now—
that eternal present soon set to pass
into the lightness
of a temporary balming dream
of many brief inviting moments
all at once just waiting…

Away from the shadows,
and the grasp of hard necessity;
away from subtle curves
that skew even much-traveled roads.

Then quick steps and laughter,
the pull of vesper gratitudes,
for what an evening might beget…

I prayed that I would one day
better care for a Corvette.


Tuesday, July 31, 2012

Driftwood Dreams


©  Steve King
All rights reserved


bright sands raked by an unyielding wind
grey sea trimmed with white breakers
gulls adrift pure of flight on their distant azure plain

and the driftwood holding at the center
still through tides and gathering dunes

unmoved
as if in rapt dreaming
of dark mother forests so long gone
and damp wooded ground
a hint in its sere core
of the taste of ripe loam
from some other distant shore

dreaming all one
bright sun and sands

‘til it becomes a hatrack
             in some idling tourist’s hand

Tuesday, July 17, 2012

Preposterous Analogies Drawn From Late Night Reflections On Gravity


©  2012 Steve King
All rights reserved


The highest laws notwithstanding...
there are things 
that accelerate to vacuum,
hurtling straight through complex time and space
across the undisplaced fabric
of infinite emptiness—
unbalanced quanta at the helm,
terminal velocity,
scanning for some fixed horizon,
tumbling to a missing point of mass—
ah…these vectors of surplus desire!

Each habit of affinity
instills a mad sense of place,
even to uncentered orbits,
even in an empty room.

It’s easy to remain relentless
on well traveled paths;
dying hard, the  habits,
tracing new maps written in old scars,
so many things so well-survived,
scars so profoundly you,
there would not else-wise be a you.

So forget that silly inverse square—
just another law that begs repeal:

things at the furthest distance
always pull the most,
and absence yields the one metric
to reckon all strong forces of the heart.

Tuesday, July 10, 2012

The Fire



©  2012  Steve King
All rights reserved


Well—
this fire begot something
to trim the leavings of the night:

ancient spirits in the smoke;
rekindled hope speaks from each tongue of flame;
ember upon ember,
old inclinations leap to light,
then sift their ashes through my heart again.

I know the fire shall shortly die,
just as all regret is said to wane.

I taste these ashes one more time,
and know there is no reason to complain.

A taste of ashes may remain,
but no one ever need explain;

I would relive it all the same,
and take no moment to complain
 

Tuesday, July 3, 2012

All Is Well


by Steve King
© 2012


All is well, I promise you.
Do not be concerned by my
sometimes detached bemusements.
These are but easy retreats
to unspoke and stubborn dreams
where the past pursues new forms
and new wants reshape old charms.

You must not think ill of me.
These diversions inform but
my own still imaginings—
sparring with my old designs,
sanctuary from keen foils,
or just finding silence there—
call it whatever you will,
it is just a tiny step
removed from your waiting world.
Yours is no thin shadow place
to leave behind.  No burdens,
satisfactions unfulfilled,
no wasted unique glories
to drain the measure of me.
All is well enough, I know,
there in the outward brilliance
of common sight, where you wait
for my strange quiet to end.

I would explain everything
of this musing well within;
but there is still mystery
lying at the heart of it.
This mystery, this darkness
will not yield to my desires.
It’s a backdrop set against
somber glows from ancient pyres,
whose light never penetrates
inward from its waning fires.

And so shall the darkness grow
with accelerating years,
swallowing whole things once known,
making my dreams slip their grasp,
while old songs reprise as sighs.
I would trace each scattered spark,
and would try to harmonize
each echo, each fading note.
So far will my eyes not see,
nor ears own such reverie.

Yet all is well, believe it.
All remembrance must be so.
And so indeed, I wager,
are the unsung harmonies
a-play beneath your calling.
I will wait when it must be,
while you linger inwardly,
while you the passing choir
illumine with the flickering
of your own secret fire.


Tuesday, June 26, 2012

No Man's Land


©  2012 Steve King
All rights reserved


It seems I’m caught between competing instances,
the push of past and pull of future,
nearest bit of each disguised as ‘now,’
the mask of an eternal present.

And here I stand:
empty as the eye of a needle
through which the thread of all must hang,
history and destiny drawn slack,
‘til someday they shall serve to scribe a kind of ragged seam,
and unify this narrative of dreams.

Here,
a patient link
in the contingent tale,
cleaving to each instant, first and last,
listening for fanfares and echoes
of distant ends and fast receding means;
spinning a biography
to binding futures
sprung from some unknown predicate;
working through familiar inklings
though without a syllogistic claim…

The racing times clamoring to distract:
new and new and new,
whole worlds turning in the instant,
madnesses and bright imaginings—
I would be grateful even for what madness would convey.
Now, sharpening my seeing to that needle’s point,
finally to know those things my fates may soon endow,
when—

far too soon,
each dawning moment
slips to some other
now…

Tuesday, June 19, 2012

Goodbyes


©  2012 Steve King
All rights reserved


So much formality I should not force—
this coolness and austere reserve,
the unrelenting conversation
disguising just how little
there is now to be said.

Soon there will be silence,
and phantoms better suited
for this ceaseless shadow play;
the shrinking reservoir 
of common memories
must serve to drain the leavings of each day.

Then shall I drink quickly of the lees,
and wonder freely of what might remain:
listening for echoes where once were sundry sounds;
inventing better days that should have been.


Tuesday, June 12, 2012

John Brown


©  2012 Steve King
All rights reserved


I sing only of a man—
the rage must find some other muse.
Of arms and readiments for war,
the patient reader must excuse.
I seek one spirit of that time,
to wonder how it so inclined.

True, Harper’s Ferry had the guns,
bristling in a phony peace.
There was fratricide enough,
and death was hard upon the land:
the time was torn, the spirit fouled:
while Kansas bled, Missouri howled.

A house divided must soon fall.
How sooner must a man decay,
no passion there to unify,
to pull and pummel and upbraid
when destiny would sound a call.
All high-born aims must come to naught
when deeds undo promises made.
And so he felt his place and time,
and raced a path his heavens laid.

How empty is the soul that goes
to any easy pathway shown,
but hesitates at the Abyss
and trembles at the great Unknown.
Like Abraham, like Joshua,
the million stars would light his way.
A black tide rising to reclaim
its covenant would seize the day.

The problem left for later minds
was how to gauge competing crimes:
did subjugation and the lash
bring on itself the fatal clash?
Did slavery itself reward
with bloody recourse to the sword?
Could any reason yet accord
the place of minion, right of lord?

He led his sons through Treason’s gate,
held them all as ready tools,
as acolytes who would delight
their father’s will and share his fate.
In the old Books, fathers are stern
but few would so expect this faith,
and, contemplating on their ends,
seek sacrifice and not amends.

No plan is safe that must depend
upon the vagaries of men,
and so the army he would raise
was lost before his rifles blazed.
This blow to challenge infamy
was short of force and long of pain;
the dreamy triumph was undone
and only martyrdom remained.

Then it was over, he was gone,
or so they thought who strung the knot:
the great uprising would abate
as only force might demonstrate.
As if his gravestone would provide
a dam against the coming tide;
as if the blot the nation held
might, without bloodshed, be expelled.

       *   *   *   *   *   *   *

And now the bones lie peaceably
as far from rage as they might be,
forgotten in the farmstead turf,
his blood a fountain to the earth.



(Executed in 1859, John Brown remains one of the most important interlocutors in the United States’ continuing moral dialogue.  Those who are interested in particulars should refer to W.E.B. Dubois’ biography, John Brown, and Thoreau’s A Plea For Captain John Brown.  The John Brown Farm near Lake Placid, New York, is the final resting place of Brown and several others—including a number of his sons—either killed at the raid on the arsenal at Harper’s Ferry, or hanged soon thereafter by the State of Virginia.)


Tuesday, June 5, 2012

The Wars


©  2012 Steve King
All rights reserved

Old wars began with the fog of incense,
screaming rams, weeping queens;
ships to sea, armors flashing to the sun,
reflecting gladness of the smiling gods
guiding armies to their onslaughts.
And then the cries attending butchery:
spent victors draped in gore, each one a deadly priest,
invoking well those mighty smiling ones
who parceled from the heights all precious days to die,
even at the hand of such another.

So Time unwinds the warriors’ thread,
Time, that even old gods learned to dread,
now wraps its glories in new gathered song.
But still the call of deadly priests invoking the stern one,
days to die awaiting yet, attending each new sun,
new rages to bring down the veil at last;
armor blackened with the smoke of shattering sacrifice,
proud ships grounded on the beaten sand,
sprawled broken-winged across the sand,
each day to die an eon of gnashing and lament,
the wars still ending as they all ever began:
one warrior at a time, all gallantry and banners and drums,
and incense curling round the weeping ones.

Tuesday, May 29, 2012

Summer Sudden


© 2012 Steve King
All rights reserved


…then evenings
and leisured memories
of each receding day,
bright and perfect,
brilliant mirrors to our sly designs
no matter how we chose to look at them.
Slow slipping to twilight,
faces turned to painted masks,
purple in encroaching shadow,
bared limbs unweathered by the lateness.
We knew it was no longer spring
no matter what the calendar implied.

It seemed the change would never come,
sun would never leave us
to abandon and dark dreams,
whisperings and star-lit conjurings;
our silence at the last
amid the calls of crickets,
and low insect hums,
other shadowed harmonies,
gathered in dark corners
of the shrinking day.

Dense air made wet the tall iced glasses,
leaving dew on ready hands,
teasing ready lips with thoughts of quenching,
quenched lips taunting ready ears,
sighs of easy promise,
leaving for the moment
all prospect of renewal or regret.

All ready.

Rings clicked on the cold glasses,
jeweled facets in rose sunsets
glimmering like lesser stars
as hands moved through shadows
back and forth in fading light;
painted lips curled for the sipping,
tongues for languorous rolling
of all bright sensations;
heat and summer air,
all breath enfolded,
words poised for saying,
if words would even serve a purpose
in the long twilight;
if words would substitute for sensations
waiting close upon the tongue;
if words would better serve the tongue
than soft summer bites,
dark appetites there waiting to devour
the ripening fruit of lingering summer nights.

The scent of perfumed bodies
swift touching,
sudden feeling,
all unspoken accident,
that needn’t be explained,
wouldn’t be undone (how?)
by words or faint regrets
unsuited for belief
or even for remembering,
(how might it be undone?
how could they be undone?).
It was the season made us move,
could not escape the touch,
the scent
the feel;
wondering of one’s own scent
and how to touch
and what to feel
and what to say;
endless twilight fading slow
to ease all pleasure and repose.

Yes, summer indeed.
Just summer.
And the guard was down,
because by then we held nothing
not gladly surrendered.

Summer.
Just summer.
Season of long twilight
and brimming retrospect,
though briefly were the morrows
presaged in each rising moon,
light breaching that horizon,
looming ever larger,
casting our faint shades
through the blaze of magic lanterns.

I wondered of the morrow,
small dreaming of another day,
the long wait for new twilight,
new games to play.

I wondered of tomorrow…
still nothing beckoned from beyond,
save moonlight falling empty;
tired shadows fled across the vacant lawn,
while magic lanterns guttered
one
by
one…

Tuesday, May 22, 2012

Seeing


©  Steve King
All rights reserved


I thought seeing you was best,
watching as the light would change,
waiting for the night to gather us.

But dreaming holds strange vision too,
that flickers through reluctant shadows,
touching on all wanting spirits there.

Those shadows, spirits, dreams, reveal anew
and serve as well as sense
to picture you.


Tuesday, May 15, 2012

Today


© Steve King
All rights reserved


Today I will greet sunrise with a glance.
It will have to be enough, just seeing—
Empty of new words for the old things,
I’ve done the best to rid myself of them,
shaking bare the word-bins,
purging old and occult motives
with a stream of gilt verbosity.
Emptied are all ill-stocked compartments,
shuttered now, swept clean
of all compunction and desire,
leaving few the rooms that must be kept
to tend a winter season of the soul.

And I will see
what I will see.

It must be enough today
to ply the uses of proximity,
make of it a ready world,
here, where I may gather and restore.
Further words would only draw my thoughts
back to an unintelligible map
filled with strange detours and false starts,
crossroads where I’d be constrained
to choose approaches to unknown ends,
paths a fickle will might not refuse.

No loss, or not so much…
Words often either aren’t enough,
or ring of hubris.
At their simplest, just cries of the heart, I guess.
Aren’t there enough of those to go around?
And how the heart itself does change…
Who would ever trust those cries for long?

I will see…
When I’m ready, you’ll know.
I’ll pick up the phone,
bring more complication to your afternoon.
You’ll see the number flashing,
perhaps recall my voice
and what it said last time.
You may even smile as you reach,
expecting me to say—
But you would be dismayed, this day:
remembering that I was out of words,
I’d probably hang up before you spoke…

I trust there is some way you’ll be assured—
if I have given up on the old words
it’s only to divine another way.
More quickly than I might foretell from this present refuge,
within these moments of…not saying,
it’s certain some new musings will emerge
to win exemption from intemperate vows.
They will populate these shadows,
the silence and the empty space it fills;
will reach beyond old words,
beyond the weight of wearied thoughts
that lead only to this...

It remains to be seen.
I’ll relish what this solitude allows,
but just as gladly draw the curtain
on this closing day.
Old silence will beget a welcoming void,
to echo with new murmurs of its own.
All pious tribulations gone,
grim musings undone;
each ready moment
filled with whole new seasons just begun,
crowding out those tones of twilight,
calling, as a larkbird lauds the sun,
upon a waiting chorus of tomorrows,
new gathered spirits singing then as one.