Survivors

Survivors

Tuesday, January 21, 2014

Come, light of the morning


©  Steve King
All rights reserved


Come, light of the morning,
carve for me from darkness
every grace my shadows may allow.

I would embrace
the harshest day
if only I might paint
love’s colors with my eyes,
instead of the faint tracings
that visit even comfortable dreams.

Monday, January 13, 2014

Psalm For A Sojourn


©  Steve King
All rights reserved

(Note:  This piece has been a seemingly never-ending work in process for me.  For those with the patience for a long poem, your unsparing criticism is very welcome.)


                                    1

I am no stranger to strange places, ma’am.
I’ve been a-seeking since this life began
to find a place where I could play my hand.
I come here not bereft of gifts or grace,
for I can turn my hand to anything
that can be dreamt of.
If a thing be dreamable
I have held it somewhere in my mind.
Somewhere soaring in my vagrant time.

But I forget myself again
and speak of lingering dreams in vain.
I will ask you…
I will ask you…
ah, but I forget again…

Such an inconstant star that leads my tracks!
How’s that for an epitaph?
I’m thinking tombstones more and more these days.
I’ve chiseled out a few across the years,
but always someone else to wear the suit.
You’d never know from looking out
upon this wretched ground
how rich it is in corpses.
Why, I’m afraid to break the surface
scratching a latrine
for fear of being dragged
into some wretched thing’s Hades
before my righteous time.
Ah… “ …’Ere my righteous time…”
How’s that for an epitaph?
Someone else, of course.

How many lives I’ve led,
how many different paths I’ve taken now,
out and away from the ancient matrix,
new treads rutting down the score
where others’ fleeing footsteps fell before.
Might I retrace my steps to find
proof that a life was onetime left behind?
And where then would that journey carry me?
And what sense would it make to ply
a path of least resistance in reverse?
Oh, ye of certain provenance
ought to rejoice the fact.
There is at least one terminus
to anchor your track.
You must not fault the world-forsaken man—
who knows not whence he came—
bewailing the night sky.
Those who ask ‘What’s in a name?’
most often-time own one.
There’s something more in place for them
than two eyes and a grimace
peering through the mirror’s vacant visage.

Yes, someone put a word to me, back when.
I started out as somebody, but don’t know how I’ll end.
I’ve since worn a score of names,
and by any remain the same.
Without a doubt, no ordinary Joe;
no Tom nor Dick nor Harry that I know.
There should be words for everyone.
including those of us that run,
callow orphans of the sun,
random atoms,
it’s all one…


                                    2

There is no escaping this earth.
My spirit is bound to its great cause,
And from some hold of nature springs
To briefly soar and barely pause.
So time alone shall gather me.
The gods have banished all prophets
and damn these doings from afar.
No divine canto lingers near.
No nymph’s enchantment echoes,
these days,
in the ear.

Still, there’s a certain story found
in every dusty, ache-boned cavalier
who stumbles from across the great divide
that I’ve traversed just now.
Imagine, if you can, what makes a man
discard the common vestiges of life,
to wander like the vagabond remains
of some lost tribe?

It helps to be a fugitive, I s’pose,
with memories worth leaving on the way…
It helps to have observed the follower
giving chase to the scrap of life
that you must call your own:
the follower,
the long and lowering shadow
of ravening pursuit,
savoring destruction
of a soul’s remains,
the image of a destiny,
all darkness in its train.

Oh, then is the running
and endless flight,
the blind and furied headlong,
toward sheltering night.

And close the future does await
to settle expectation and old faith,
to hold a mirror to a lingering soul,
or gauge an absent spirit’s remnant hole.
One day and on,
each then by each,
past and future clinging fast
to stay me in their reach.

So if I turn behind to peer,
it’s only out of habit holding dear.
Just lookin’ for that shadow
along the edge of evening,
the dark shape ‘round the corner,
the dimly-seen reflection
within each passing pane
of someone, something,
god-knows-what,
lolling beside.
There!
Now there!
The unknown other
lingering close.
The pursuer.
The past.
The future
imperfect.


                                    3

I’ve lost myself in absent reflection.
No more…
Lost, lost in a labyrinth of invention.
Now, at last, be gone
all idle aspect and intention.
No more.
No more…

What’s in my journey
through the ancient track?
Nothing really to it all,
nothing grand or fine to bid recall;
sure no story yet for epitaph:
I lack that pretty prelude to a death,
the right adornment to the mortal spoil,
that word, that creed, that parting song,
to validate the living breath,
a chronicle to justify
a middling sorry sinner’s fall.

Ah, my great battle is now long done,
the ancient saga forgotten, not sung;
history reduced to darkening past;
a cinema of beggars’ dreams
that I shall long outlast.

Like an actor on a darkened stage,
or poems clinging on a yellowed page,
or hatreds that surpass their spawning rage,
so life itself outlives its useful age.

But if this life be anything
it must be everything.
There can be no time beyond this one.
I could not task myself to spend
a human share of sense again.
There could be no condign recompense
for such another passel of misdeed.
It has always been enough
to contemplate this ebbing spark
as if no other could matter.
As if the chosen or found track
was all that ever reckoned me;
as if the ‘now’ upheld the ‘all’
to satisfy every old season
and each new felt thrall…

And yet I weigh against it all.
Against the odds, I’ll hold upon this life,
against all expectations will I ply,
against all shape and style of men I’ll hold,
against the many futures they’ve foretold,
against the rip and pull of distant tides,
against the very turning of the earth,
against the silence and against the cries,
the petty acquiescence and the sighs.

It was simple, once-a-time,
amid the dreams and bye-and-byes,
before I had to fathom rhymes
and expiate the ancient crimes.
It seemed easy, some before,
to stride beyond the darkened door,
to wade out from the welcome shore,
and back again, to wade once more.
There was laughter, once, to spare,
and rapture in the morning’s air;
evening’s dreams to banish care,
love’s full tide to drown despair.


                                    4

There is no possible disguise
when doubt unfolds within your eyes.
Swaddled in my pleasantries
you’ll find the truth as a surprise.

The truth:
what’s left.
After.

The truth is an answer
ringing in the void
left by the flight
of every question.

The truth:
a solitary icon
when all choice else departs.

Silence is the truth,
and solitude.

Truth:
the interlude
between one easy compromise
and another,
all the other gentle kinds of lies;
one contentious measure
o’ertopped by any other;
the balance point of random pain
and desultory pleasure.

The truth.
One word,
‘til comes another.

The truth would rid the air
of distractions
and distinctions.

O, let me tell about truth.

Let me tell.


                                    5

A long time since I’ve held to simple talk.
Asking, waiting,
silent, hearing…
Reading between lines,
interpreting the sighs
in measured leisure time.
I wish that I were wise like you
and could conserve myself.
I cannot hold a single thought inside.
No sooner have I fashioned it
than do I spill it reckless all around.
I should be stoned for profligacy,
flinging my conjectures.
The seed is lost in this hardscrabble world,
and thoughts are rootless in the deed,
so perfect suited to grand empty gestures.


                                    6

My dreams once drew me through this hard-spun world.
Dreams that led me, dreams that followed me,
dreams and dreaming through each age-long night,
with ne’er a dawn to make the dreaming right.
Most dreams are gone now, as I wished they might,
as one might pray a troubling spirit pass,
forgetting why such troubling came to last,
awaking now, and feeling oneself free,
imagining it thus should ever be.

You may conjure yet with dreams.
I will take the night.
I have come from out of the east,
out of the sun,
out of the light,
seeking that place
where darkness is.
It is now my waking dream, the night.
My hope, for now.
My ever now.

O, let it come, the night.
and hide me from the follower behind.
The night will be mine.
Let it come, the night.
Already have I had my fill of morrows.
Let it come, tonight.
The death of every simple sorrow.
Let it come.


                                    7

I have said so many things,
have set this note myself to sing,
and sparked a coal left long unlit.

So…to what will you commit?
What then would you say to me
if strange musings came to be?

Oh, is that so?
And that, as well?
How’s a gentleman to tell?

And is that the all of it?
Have I fathomed every bit?
Is there nothing yet to know…?

I am waiting.
And so I wait.
And so I will.

You see me looking now,
embracing without touch,
devoid of all familiar shames.
And I imagine you thrill
as you imagine the extent,
the substance of my dark imaginings.
But how may I account aright
for your unsayable desires?
Speak what your spirit wills, and do.
Find in you the song of primal whispers
and the thrum of new-felt need.
Come, come, to the penumbra of my heart’s fire.
What shadows shelter your desire?
What playthings will your tastes require?
Come, come with me into the dark ambit.
I see the wanting spirit in your eyes.
Come, the trip shall be all danger and surprise,
filled with strange unsought epiphanies.

And I can see it in your eyes.
Again and again, that spirit must obey,
that would not venture through the light of day.


                                    8

“The night draws together earth and sky.”

“We two are as separates under the one cloak.”

“We two.”

“We two await cessation and the dying of all things.  The reduction of all distraction.  The dying.”

“Silence.  All things merging to the one.  Alike to the rolling earth and sky beneath the counterfeit cloak of night.”

“All things.”

“We two.”

“All things.”

“Under the one cloak.”

“Earth and sky are merged.”

“But poised for rupture.”

“Under the counterfeit cloak.”

“Even words dying…”

“The surest prelude to surprise.”

“Dying.  Posed for rapture.”

“Yes, merging earth and sky.”

“Yes, waiting, you and I.”


                                    9

Sweet kiss of the christ!
Never felt nor beheld …
The ancient flower set astir
in the wafting volition of desire,
captive this eternal hour.
Brought I hungry mouth to devour,
graze like a stallion in bounteous fields.
A quiver ran as the feast enfolden me.

Then to move with the waning moon
racing dawn to the finish,
eclipsing each the other’s form
signaling by touch,
bound distant by the tethers
of private inviolate desires
as if adrift,
each parting the other’s way,
rocking as the great mother rocks.
Us all.
All the world a wave.
Dark, our thoughts.
Vast rocking world.
Knew I only mine.
Touching her forehead with mine.
Mine own.
She knew.
I knew not what she knew.
All in the touch,
again rocked we,
shadowed sails upon a warming wind,
rocking sweet song
of distantflown waters,
clinging, as the tide
that would bind
opposing shores.


                                    10

It is the legacy
of many lessons learned,
of too many dreams broken
upon the anvil of the rising day,
that I should hesitate,
that I should draw this hand
as from a beckoning flame,
away from the phantasm of your face--
the lessons of a straitening time
to calculate what is and isn’t mine.

Now must I look with a child’s eyes,
and see to all beginnings,
see you in your dreaming as you are,
not as I’d have you be.
Shedding gloss and glamour and all things
that would tarnish newness,
now must I hear an innocent’s voice
hiding in the harmonies you construct.
I must teach you,
I, older than all beginnings,
I rife with recollection and despair.
My touch will be almost as nothing,
far from thoughts of fantasy and love.
It is not a time for doting
or revoking hard perimeters of self.
It is a time and moment made whole
by the imminence of leaving,
the hard kernel at the core of fleeting dreams,
the glimmer of abandon,
soon to be eclipsed
as future reveries of love
appear to intervene.


                                    11

But now has something filled your eye.
I can see too clearly.
I am but a near remembrance
settling to impede
the coming of impatient dreams,
someone, somewhere, sometime when,
a passing product of the faintest chance.
Even now, a quirk of happenstance.

My words are just familiar artifacts
cluttering your gathering disinterest,
nothing really to concern yourself,
just puzzling mementos
to molder on an ever lengthening shelf.


                                    12

What may I tell you when you break your sleep?
Are there leavings apposite to this?
A rebirthing to a time and place
that ties you always to a place and time?
Is it your choosing, this and nothing more?
I am beneath notice in this place,
just suitable for dangling on a whim,
my newness in your dreams a camouflage
for what must be if ever I should stay.
I came like a supplicant before you,
trailing sin and hunger and despair,
so as to be at one with all the world,
to shake you from your satisfied slumbers.
Still you smile, innocent of life,
not thinking of the vision I portray.
Even that is not enough, it seems,
to agitate the content of your dreams.

What may I leave you, when it comes to that?
I can give you memory of me,
while I do carry yours along the way,
a livening burden, growing much in weight
the further it is borne.


                                    13

And yet the end of every road
retreats with each new hill I crest,
with every trek, still more to go,
with every pause, new restlessness.

The morning casts long shadows
trailing or before,
howeverso that one may turn,
with the world or away,
each dawn ringing ‘round another center,
the advent and surcease of all we know.
There is a directness to it all.
Dawn is the onset of so many things,
it is impossible to stay a choice.
Here is but an open way,
an unimpeded journey for your day
directly to the horizon of choice,
the mind still mining dreams
to populate the silence that surrounds.

This parting is what does define:
the stepping from,
the moving toward,
full melancholy cast of mind,
the changeling who has stay’n behind…

And I shall seize my bag of dreams,
and strange, unkempt imaginings
to keep them for another day
when kindlier muses might hold sway.
Yes, ever sorry for the loss,
            but there are horizons to cross…


How soon each footstep falls the same
upon the still unyielding plain.
So soon again, another day,
another eon, fledgling, on its way.
Goodbye morning, now I say,
with a nod to the new old sun.
Now goodbye all,
now goodbye, everyone.




For Imaginary Gardens With Real Toads http://withrealtoads.blogspot.com/
and Tuesday’s Open Link Night at dVerse

Monday, December 30, 2013

I Would Not Profane


©  Steve King
All rights reserved

I would not profane
the pageant of this dawning wood
with any small reflection
that a man might bring.

Yet how else may I know?

Light rises,
autochthonous, it seems;
this world displays itself in full always,
while I am left to trace faint shadows
in the afterglow.


(The last of the year for me, to be shared on Imaginary Gardens with Real Toads.  Happy New Year, all!!!)
http://withrealtoads.blogspot.com/

Tuesday, December 17, 2013

Tattoo


© Steve King
All rights reserved


My wife came home to me last night
and she unveiled the new tattoo.
She hid it well beneath the folds
of the plain fabric of her blouse.
I blushed at it so naively—
to know that night another hand
had left this mark upon her form;
to know another’s eye surveyed
and measured out the pure canvas.
I did not ask to know his name,
just happy that he didn’t sign
his artwork with some grand flourish.

“What do you think?” she finally asked.
But I was not thinking just then:
she had been changed—had changed herself,
without the least of letting on
that any change would soon be due.

The artwork was a tiny orb
encircling a tight spiral
of flashing, enprismed color,
a captive rainbow gathered round
within the unknown stranger’s hold.

“It’s me,” she boasted.  She smiled.
“And, no, I wasn’t even drunk.”
Her laughter echoed in the words.
She was so pleased with the new ‘her’
she’d found there amid the many
strange waiting possibilities.

So I agreed.  “Yes, it is you.”
I didn’t picture how she could
see within the small talisman
such a beautiful reflection.
Should I be looking there for her?
Must I reintroduce myself
as someone else, unknown and new?

The calling card upon her skin
appeared inflamed, and tinged with blood.
Had she not explained it to me,
I would have seen it as a wound.
“Doesn’t this new ‘you’ come with pain?”

“Not very much.  I was surprised.
I had so fixed my mind on it,
the much greater pain would have been
to find a convenient excuse,
rationalize my way again
to doing nothing whatever.
I’m sorry that I never thought
to say a word of it to you.
It was only a lark at first,
and without anticipation;
no planning or pretense in it.
There was only the empty space.
I am trying to make sure sense,
but I had never come against
a sudden thought like that before.
An emptiness?  So…awaiting?
What words were these to lead desire?
Empty of what, I could not say.
And why would not it be empty?”

It is no more an empty place.
And she must now exert her will
to fathom fully that new self
--the one that cannot be explained--
in the dark circle closing round
the fresh-born colors in her life.

I too will gain a sense of it,
as I behold the new stranger
now brandishing this bold palette.
It’s not for me just a mirror
reflecting exotic colors.
Not an impulsive thing, unthought,
nor a quick reckoning of whim.
A former world has indeed changed
by more than just a needle’s span:
so, too, in those musings I had
while waiting upon her return
last evening, when all was well,
when the blank spaces still made sense,
before the time she’d shed her blouse
and donned another world anew.


Friday, November 22, 2013

The Long Weekend



©  Steve King
All rights reserved


            You glance idly at your calendar and note with some surprise that November 22nd has come again and gone.  The mind reacts without conscious application, leading your thoughts to a rarely visited inner sphere where you sometimes draw a fine focus on events long past.  In this constrained light, the seventy-two hours spanning that Friday and Monday afternoon seem at first to be collapsed into one long, monolithic instant.  But as you watch, unforgettable images begin to compete for primacy in the rising jumble of thoughts, the mix of old emotions that pull you back to a strange point in time.

            Tallying the years since then, you realize that people not yet born that distant afternoon have grown and raised up children—and grandchildren-- of their own.  Soon, a second full generation will know of this thing only through the slick gloss of magazine pages, or from the quaking imagery of the Zapruder film.  The event itself, one of the great tremors at the epicenter of what you felt and thought in the years that formed you, will live on directly only in middle aged or older memories, and soon enough will linger nowhere.

            For many of those of the right age, the memory, even with its immense sadness, is cherished, perhaps like an expired passport to some once-visited land of pleasant recollection.  It is proof of passage, with an indelible stamp demarking 'before' and 'since.'  Whatever the details of one's own personal odyssey in the interim, each fresh perception of that cold November slows the inevitable process whereby the vibrant spirits of that age slip from the ever-now of your consideration on their way to joining all the other quaint sepia-tinged portraits that crowd the attic of our national imagination. 

            By extension, this is of course just another attempt to preserve some young and distant image of ourselves--against the odds, we know, since the very essence of our train of thought rises from the recollection of full and bloody mortality.  Still, we do our best.

            Assassination, regicide, the assault on sovereign republicanism, cold and systematic death, each of these has a weight of its own that presses on the observant conscience, issues of specific motive and denouement notwithstanding.  It seems therefore ridiculous that the event is of interest to scores of millions only insofar as it can be linked to Castro, the CIA, the mafia or, ideally, some diabolic combine of the three.  This needless tendency to hyper-dramatize the event has made it fashionable to deride the Warren Commission Report with its obdurate insistence on the singular marksmanship of Mr. Oswald that noon hour.  No doubt there were stones—boulders—left unturned in the Commissioners' rush to satisfy and unify the dazed nation.  But who can truly blame the authors for not rising above the convenient wisdom of the day, especially once the hasty presumption of Oswald's guilt became unassailable, we brunching with TV and the Sunday comics, he strolling out to early public execution.

            In the light of retrospect, who really cares what the Report reported?  'Fair Play for Cuba' and the anomaly of the grassy knoll; Tippit, Ruby, Curry and the rest; the autopsy, the strange trigonometry of the two (or three?) projectiles?  These and all the other 'facts' are just crumbs on the table of this feast of history-in-passing.  When weighed against the monumental nature of the crime itself, a trial and the subsequent exacting of official vengeance—though filling a proper legal and technical purpose—were bound to fail any fair test of emotional satisfaction, in all probability serving only to excite the worst excesses of sensational journalism and speculative commentary.

            No.  At the last, full knowledge of the crime and a strict allocation of culpability would not have been enough to transform decades of memory. 

            Much of the strongest imagery is of the pageantry, the high drama of the passing of tangible force; the sheer spectacle of the survival of State, melding an eerie sense of courtly ceremony with the raw power and grim determinism of inevitable historical succession—an admixture of Arthur and Shakespeare, if you like, well suited to a prince of any epoch.  All of it overriding the puny contingencies of human indulgence and of the shattered protagonists in the lesser, merely human, drama.

            What contradictions were endured through those days:  the power of death to deny life, and the exuberant life of the body-politic rebounding to refute the verdict of the grave; a Friday to mourn and a Monday to remember; one bookend tragedy and the other splendor.  This conflict of dualities has always animated the greatest achievements in human art and understanding.  The weekend was foreordained to mimic this dynamic, echoing the lessons from those throughout history who have thought most and deepest about life and death.  At the same time, through its interweaving of pathos and grandeur, it redefined the scope of our own imaginations and lives as we readied to make our way, collectively and as individuals, out of what is now merely the past.

            Yet, even the most majestic panoply needs an audience.  The most lasting rituals are also the ones that seem to be most interactive.  Thanks to the long reach of television, we were part of it, and each step along the way to Arlington seemed to have been contrived to reach deeply into the experience of the scores of millions of individual hearts whose common beat was, and is, the pulse of the nation.

            Yes, you were there, a part of that pulse; and though your heart has been transformed in many ways in the intervening years, the beat goes on.  No matter where you've been or where you are, no matter what you've done in the time since, this one day each year you find yourself standing alone again, a part of that vast and silent throng lining Pennsylvania Avenue.  You wonder when this community of mourning will end. 

            Maybe this time will be the last.

            Maybe.

            In recent years, you've found that many of the details seem to have grown a little less distinct.  More and more, that small inner sphere, the place where the fine focus comes and goes, is waning toward the dark.  Even so, you suspect that some things will always stay.  For now, you are left with this:

            The muffled drum.

            The ancient caisson.

            A riderless black horse with all of history in its wake.

 


Sunday, November 17, 2013

In the Cafe


©  Steve King
All rights reserved


That night you chanced upon the old café,
I recalled times we had so long ago.
Not  just the words, nor how we sounded then,
but in the way our eyes would speak for us
to top the clamor, and the way our smiles
at once would satisfy each hidden care.

The while you spoke, I pored over your face.
I saw the things the years worked to deny:
youth, innocence and infatuation,
wrapped in the folds of some fine elegance;
a legacy that showed your gaze, your smile,
framed just the way an artist might have done
to hold it for my ideal vision.
I needed but a curve, a shadowed line,
one turn, one scent, to seize the whole again.
When you had gone, your space was resonant,
grace notes alive to theme old worlds anew.

I took your picture, needlessly, I know,
for I will never look to you that way:
that image would not so deny the years—
cast by the bottled light on plastic screen,
recording but a shape, without your forms;
hard vestiges that point to your old griefs,
the changes you accrued in long absence,
the weight of secrets never meant for me,
and gladnesses that I shall never see.

These speak not to the pleasures in my eyes,
that choose to find only what could not be;
nor to the hold of ancient promisings,
and old sirens that sang too long to me.


This week’s post for Imaginary Gardens With Real Toads http://withrealtoads.blogspot.com/

and The dVerse Pub OLN on Tuesday

Tuesday, November 5, 2013

Rush Hour U-Turns


by Steve King
© 2013
  

You are hurtling,
one stop to the next,
on and on,
a faint, elusive point
perpetually gone,
arrival and departure synonyms,
reciprocating echoes
melded in the vacuum of transit.

And how do you get off?
Is one locus
better than the next?
One new arrival
keener than the rest?
There is always just one more,
and then another gesturing beyond,
always an horizon to be filled
one scintilla at a time
with the ready stylus
of your fickle needs.

Even so, your hands tighten.
You grasp a-hold
your pounding wheel.
Ready, you think,
to move trajectory
without calculus or care.
You are used to taking chances here,
No problems, you are thinking
as you wait

    ready
        soon
            time
                all
                    too
                        perfect
                              now


Posted for Open Link Night at the dVerse Pub http://dversepoets.com/

Monday, October 21, 2013

Too Long These Winter Moons


©  Steve King

All rights reserved


Too long these winter moons,
dark the heart that waits.

Unquiet souls
will seek their peace,
akin to sleep,
silence.

—As if new mornings may await,
          sunlight yet appease.

Though lightning stripes
each transient dream;

though winter’s moon
does linger on the dawn.



A new post for Imaginary Gardens with Real Toads

and Tuesday’s Open Link Night at the dVerse pub.